Tamas (Darkess) is a novel written by Bhisham Sahni (himself a refugee to India from West Punjab, now in Pakistan) & it was conceptualized by Govind Nihalani for Big screen but was released as TV series on Doordarshan in 1987. The series revisits incidences of 1947 partition. Its haunting, captivating, it stays with u. Indians of certain generation will definitely remember this Saga and the controversies surrounding it. Being TV mini-series, it’s production quality was of any A grade movie. The ensemble of cast was treat for everyone’s eyes – Om Puri, Amrish Puri, Deepa Sahi, Saeed Jaffrey, A. K. Hangal, Dina Pathak, Manohar Singh, Surekha Sikri to name a few. Om Puri’s ground breaking performance bought tears to everyone’s eyes.
Tamas (Darkness) of those times of religious intolerance and civil war highlights two stories of refugee families, one Sikh and the other Hindu. These victims of hate and their Muslim counterparts had, until 1947, been brothers and co-existed for over a thousand years throughout the Indian subcontinent. The violence in the series is in the background, killers are shown instead of the killed bodies, instead of blood-letting, we are confronted with the faces of victims.
Tamas will remain as the creative zenith of Govind Nihalani. Most of the cast we able to depict the emotions so well, seemed to have lived during the partition and they were just revisiting those painful days to tell the new generation what they have been through. The series won couple of National Awards – Surekha Sikri for best supporting actor and Vanraj Bhatia for his haunting score. We can compare Govind Nihalini to Martin Scorsese who have always been snub at the awards function. Govind Ji truly deserved National award for creating this saga but he didn’t win National Award.
Revisiting this saga again during Independence Day celebrations around will make you realize or feel the pain that our people have gone through post partition.
Tamas (1987), by Govind Nihalani
Jism 2 one of the most anticipated movie has hit the theatres. It marks the Bollywood debut of Adult movie star Sunny Leone which made it ONE of the most anticipated movies. From the promos movie likes it will take eroticism & voyeurism to another Level in Bollywood, but it failed miserably. What you see in promos that what you will see on big screen too. There is not even a single good this that I can think about this movie.
Speaking of the cast Randeep Hooda & Arif Zakaria does decent job. Arunoday Singh is not at all convincing. Sunny Leone promises skin show with bare back and cleavage throughout the movie but one may get irritated with too cleavage show ;). Sunny, who also looks pretty, clearly wasn’t cast for her acting skills, but honestly, she is neither bad nor good.
The movie is directed by Pooja Bhatt & written by Mahesh Bhatt. It was a bold move to make a movie like this casting an adult film star, but that can’t be the only USP of the movie. Bhatt camp is known for its creating erotic thrillers with some great music fail here to make one. Songs are pretty boring and one will forget once out of theatres. For a movie to be a success it needs good story, script, dialogues, music, acting and most important good direction. But here nothing is upto mark. Bhatt movies always had good music, it’s songs were to look out for but this movie has disappointed with that too.
Obvious comparison is the previous Jism, which had beautiful songs, good dialogues, and good supporting cast. It created wonders for the film makers as well as cast associated with it. It was THE break for Bipasha Basu.
Verdict – Tag line of the Movie Says – “To Love Her Is To Die”, I will say “To Watch This Movie, Is To Die”
Previous Jism had sensational Dialogue – “Yeh jism pyaar karna nahin janta, janta hai toh sirf bookh, jism ki bookh.” I will rephrase it for this movie – “Yeh Jism (movie) entertain karna nahi Jaanti, Jaanti hai to sirf public ko disappoint karna”
Let us know how you feel about the movie.
Mirch (2010), by Vinay Shukla
Once Upon A Time In Mumbaai (2011), by Milan Luthria
Jism 2 one of the most anticipated movie has hit the theatres. It marks the Bollywood debut of Adult movie star Sunny Leone which made it ONE of the most anticipated movies. From the promos movie likes it will take eroticism & voyeurism to another Level in Bollywood, but it failed miserably. What you see in promos that what you will see on big screen too. There is not even a single good this that I can think about this movie.
Speaking of the cast Randeep Hooda & Arif Zakaria does decent job. Arunoday Singh is not at all convincing. Sunny Leone promises skin show with bare back and cleavage throughout the movie but one may get irritated with too cleavage show ;). Sunny, who also looks pretty, clearly wasn’t cast for her acting skills, but honestly, she is neither bad nor good.
The movie is directed by Pooja Bhatt & written by Mahesh Bhatt. It was a bold move to make a movie like this casting an adult film star, but that can’t be the only USP of the movie. Bhatt camp is known for its creating erotic thrillers with some great music fail here to make one. Songs are pretty boring and one will forget once out of theatres. For a movie to be a success it needs good story, script, dialogues, music, acting and most important good direction. But here nothing is upto mark. Bhatt movies always had good music, it’s songs were to look out for but this movie has disappointed with that too.
Obvious comparison is the previous Jism, which had beautiful songs, good dialogues, and good supporting cast. It created wonders for the film makers as well as cast associated with it. It was THE break for Bipasha Basu.
Verdict – Tag line of the Movie Says – “To Love Her Is To Die”, I will say “To Watch This Movie, Is To Die”
Previous Jism had sensational Dialogue – “Yeh jism pyaar karna nahin janta, janta hai toh sirf bookh, jism ki bookh.” I will rephrase it for this movie – “Yeh Jism (movie) entertain karna nahi Jaanti, Jaanti hai to sirf public ko disappoint karna”
Let us know how you feel about the movie.
Mirch (2010), by Vinay Shukla
Once Upon A Time In Mumbaai (2011), by Milan Luthria
Aradhana (1969), by Shakti Samanta
Khamoshi (1969), by Asit Sen
Safar (1970), by Asit Sen
Amar Prem (1981), by Shakti Samanta
Naukri (1978), by Hrishikesh Mukherjee
Kudrat (1981), by Chetan Anand
Naya Kadam (1984), by K. Raghavendra Rao
Anokha Rishta (1986), by I.V. Sasi
Asha Jyoti (1984), by Narayana Rao Dasari
Bhumika (1977), by Shyam Benegal
Kondura (1978), by Shyam Benegal
Arth (1982), by Mahesh Bhatt
Bazaar (1982), by Sagar Sarhadi
Badle Ki Aag (1982), by Rajkumar Kohli
Mandi (1983), by Shyam Benegal
Ghungroo (1983), by Ram P. Sethi
Kasam Paida Karne Wale Ki (1984), by Babbar Subhash
Debshishu (1985), by Utpalendu Chakrabarty
Anokha Rishta (1986), by I.V. Sasi
Sutradhar (1987), by Chandrakant Joshi
Mirch Masala (1987), by Ketan Mehta![]()
The famous Jodis of Indian Cinema.
Hariyali Aur Raasta (1962), by Vijay Bhatt
Woh Kaun Thi (1964), by Raj Khosla
Himalay Ki God Mein (1965), by Vijay Bhatt
Aadmi (1968), by A. Bhimsingh
Yaadgaar (1970), by S. Ram Sharma
Dus Numbri (1976), by Madan Mohla
Maidan-E-Jung (1995), by K.C. Bokadia
Hariyali Aur Raasta (1962), by Vijay Bhatt
Woh Kaun Thi (1964), by Raj Khosla
Himalay Ki God Mein (1965), by Vijay Bhatt
Aadmi (1968), by A. Bhimsingh
Yaadgaar (1970), by S. Ram Sharma
Dus Numbri (1976), by Madan Mohla
Maidan-E-Jung (1995), by K.C. Bokadia
Teesri Kasam (1967), by Basu Bhattacharya
Anari (1959), by Hrishikesh Mukherjee
Chori Chori (1957), by Anant Thakur
Char Dil Char Rahein (1959), by Khwaja Ahmad Abbas
Main Nashe Mein Hoon (1959), by Naresh Saigal
Shriman Satyawadi (1960), by S.M. Abbas
Abdullah (1980), by Sanjay Khan
Ijaazat (1987), by Gulzar
Parichay (1972), by Gulzar
Meera (1979), by Gulzar
Masoom (1982), by Shekhar Kapur
Griha Pravesh (1979), by Basu Bhattacharya
Sunghursh (1968), by Harnam Singh Rawail
Khamoshi (1969), by Asit Sen
Smuggler (1966), by Aspi Irani
Naunihal (1967), by Raj Marbros
Dharti Kahe Pukarke (1968), by Dulal Guha
Sunghursh (1968), by Harnam Singh Rawail
Parichay (1972), by Gulzar
Kangan (1972), by K.B. Tilak
Naya Din Nayee Raat (1974), by A. Bhimsingh
Khilona (1970), by Chander Vohra
Shatranj Ke Khilari (1977), by Satyajit Ray
Alaap (1978), by Hrishikesh Mukherjee
Tumhare Liye (1978), by Basu Chatterjee
Griha Pravesh (1979), by Basu Bhattacharya
Hamare Tumhare (1979), by Umesh Mehra
Nauker (1979), by Ismail Memon
Abdullah (1980), by Sanjay Khan
Biwi O Biwi (1981), by Rahul Rawail
Khud-Daar (1982), by Ravi Tandon
Zabardast (1985), by Nasir Hussain
Baat Ban Jaye (1986), by Bharat Rangachary
Hiraasat (1987), by Surendra Mohan
Pocketmaar (1956), by Harnam Singh Rawail
Maya (1961), by D.D. Kashyap
Baat Ek Raat Ki (1962), by Shankar Mukherjee
Asli Naqli (1962), by Hrishikesh Mukherjee
Sharabi (1964), by Raj Rishi
Teen Devian (1965), by Amarjeet
Gambler (1971), by Amarjeet
Hare Rama Hare Krishna (1971), by Dev Anand
Banarasi Babu (1973), by Shankar Mukherjee
Des Pardes (1978), by Dev Anand
Gambler (1995), by Dayal Nihalani
Raavan (2010), by Mani Ratnam
15 Park Avenue (2005), by Aparna Sen
Girl Friend (2004), by Karan Razdan
Chand Ke Paar Chalo (2006), by Mustafa Engineer
Saat Hindustani (1969), by Khwaja Ahmad Abbas
Benaam (1975), by Narendra Bedi
Besharam (1977), by Deven Verma
Kasme Vaade (1978), by Ramesh Behl
Jurmana (1979), by Hrishikesh Mukherjee
Do Aur Do Paanch (1980), by Rakesh Kumar
Khud-Daar (1982), by Ravi Tandon
Abhimaan (1973), by Hrishikesh Mukherjee
Do Anjaane (1976), by Dulal Guha
Alaap (1978), by Hrishikesh Mukherjee
The Great Gambler (1979), by Shakti Samanta
Satte Pe Satta (1982), by Raj N. Sippy
Desh Premi (1982), by Manmohan Desai
Mahaan (1983), by S. Ramanathan
Toofan (1989), by Ketan Desai
Hum (1991), by Mukul Anand
Insaniyat (1994), by Tony Juneja
Kohram (1999), by Mehul Kumar
Major Saab (1998), by Tinnu Anand
Sarkar (2005), by Ram Gopal Varma
Armaan (2003), by Honey Irani
Baabul (2006), by Ravi Chopra
Family: Ties of Blood (2006), by Rajkumar Santoshi
Ram Gopal Varma Ki Aag (2007), by Ram Gopal Varma
Chori Chori (1957), by Anant Thakur
Kaagaz Ke Phool (1959), by Guru Dutt
Jawaab (1985), by Ravi Tandon
Mirch Masala (1987), by Ketan Mehta
Azaad (1978), by Pramod Chakravorty
Abhimaan (1973), by Hrishikesh Mukherjee
Do Anjaane (1976), by Dulal Guha
Alaap (1978), by Hrishikesh Mukherjee
Chalti Ka Naam Gaadi (1958), by Satyen Bose